High + Low:
D. Dominick Lombardi Retrospective
August 19 - December 12, 2021
Marie Walsh Sharpe Gallery of Contemporary Art
Ent Center for the Arts
“[D. Dominick] Lombardi fuses humor and sadness to expose our gloriously tragic comic condition.”
— J. Fatima Martins, Artscope
ABOUT THE EXHIBITION
High + Low: D. Dominick Lombardi is a 45-year retrospective exhibition curated by T. Michael Martin, featuring 20 distinct chapters of the career of the artist. A catalog accompanies the exhibition, available to view digitally here.
A common thread throughout Lombardi’s work is his interest in blending qualities of highbrow and lowbrow art, and experimentation with various media. His life-long journey began with his exposure to modern art when he first saw a reproduction of Picasso’s Guernica (1939) at the age of 3 or 4, and continued with his introduction to the seductive world of Zap Comix in 1968.
The exhibition begins with the Cyborgs, a science fiction based series depicting half human/half machine beings. It continues through his East Village days, his earliest forays into sculpture and kinetic art, and the repurposing of a multitude of found materials. A pivotal point in his art career was the Post Apocalyptic Tattoo series, which was prompted by his concerns for the environment and how it would impact our future. After the downturn in the economy in 2008, he began the Street Urchin series that focused on the marginalized victims of that era. Most recently he has explored the social issues of our time referencing the roots of human morality.
Visitors to the exhibit will have the opportunity to not only see a myriad of unique and thoughtful pieces, but to also see a physical representation of the timeline of Lombardi's life. The exhibition is curated by T. Michael Martin, Director of the Clara M. Eagle Gallery at Murray State University, in Murray, Kentucky, where it premiered in 2019. A catalog accompanies the exhibition.
Curator T. Michael Martin writes about the artist: “Lombardi’s masterful mix of high and low culture is as current as the day it was created, showing how little the aesthetics of human behavior have changed. In some ways, Lombardi’s distortions are a more truthful look at society than our daily facade of polite policy and political correctness, especially in the way we prompt contention, as Lombardi offers a much-needed change and disruption through his unique sense of humor. Common throughout the works, Lombardi reveals source, influence, and process that allow the viewer a glimpse into the stages of his creations. They are, in essence, an open interpretation, veiled in playfulness, to put forth a more in-depth investigation of some very real concerns. His narrative is staged, directed, and then morphed through mostly unconventional combinations, as the resulting compositions encourage us to investigate beyond the surface of each work. A suggested glimpse into an apocalyptic breakdown of society, where we are allowed to emerge charged, reconfigured, and prepared to push forward, is a cunning execution where questions flow and commentary is made as the viewer reexamines the world revealed around them.”
Image: D. Dominick Lombardi, “Whistling Bird”, 1998, courtesy of the artist.
IMPORTANT DATES
Exhibition on View|
August 19 - December 12, 2021
Gallery Hours |
Thurs - Sunday, 1-7:30 pm or by appointment.
Thanksgiving Hours:
Thanksgiving Day, 11/25, closed
Friday, 11/26, 4-7:30 p.m.
Saturday, 11/27, 1-7:30 p.m.
Sunday, 11/28, 1-6:00 p.m.
As always, galleries are free to visit, pre-registration is welcomed but not required.
ABOUT THE ARTIST
D. Dominick Lombardi is an artist, writer and curator. Before Covid, he was represented by Kim Foster Gallery, New York, NY. Currently, Lombardi is represented by Prince Gallery in Copenhagen, Denmark. In addition to those two relationships, Lombardi has been a part a series of exhibitions, curating shows at a variety of institutions including the Morean Arts Center in St. Petersburg, FL; and the Hampden Gallery in Amherst, MA.
Feature articles and reviews of Lombardi's exhibitions have appeared in Sculpture, WHITEHOT (Canada), ARTES magazine, ARTnews, The New York Times, artscope, O2magazine (China), Creative Loafing, Post Road Magazine (issue 19), nyartbeat, The Advocate & Greenwich Time,The M Magazine, Time Out New York, Skin & Ink, The Record Review, Art New England, San Antonio Express, San Antonio Current, Riverdale Press, Art in Culture (S.Korea), Zing Magazine, THE NEW YORK GAHO (cover and feature-Japan), Poetry and Thought (Japan), ANIMAL magazine, artnet, NYARTS magazine, d'ART, culturecatch.com, NY Arts Journal, and BLURRED VISION (cover art issue #1 and interior pages issues #1-3).
Lombardi has written features and art criticisms that have been published in ARTES, The Huffington Post, ARTslant, Art Experience NYC, Public Art and Ecology Magazine (China), The New York Times, Sculpture, Sculpture Review, d'ART (U.S. Editor), Art in Asia (S.Korea), Art Papers, Art Lies, ARTnews, & magazine, Juxtapoz, New Art Examiner, Art New England, NYARTS magazine, culturecatch.com and others.
D. Dominick Lombardi was born in 1954, into an Italian-American family in the Bronx, New York. He worked in his father’s carpentry shop as a teenager, learning to work with and respect hand tools under the guidance of his father and grandfather – lessons he has continued to employ over the past 50 years. He currently lives and works in Valhalla, New York.
ABOUT THE CURATOR
T. Michael Martin, Director of University Art Galleries at Murray State University, Murray, Kentucky, has an MFA in Painting and Printmaking at Virginia Commonwealth University in 2005 and his BFA in Painting and Drawing at The University of Tennessee, Knoxville in 2002.
An experienced curator, Martin has worked with several artist run exhibition spaces and was the founder and director of The Basement Gallery, a commercial art gallery that helped orchestrate and popularized the now flourishing First Fridays Art Walk in Knoxville, TN. At Murray State, he has organized numerous exhibitions, including the solo exhibitions My Home by New York based photographer Louis Chan, Silver Lining, by Detroit painter Adrian Hatfield, Make it Real by digital artist Jessye McDowell, Pattern Play II, by New York based artist Creighton Michael and group exhibitions featuring national and internationally recognized artists.
Experienced as an educator, he has taught courses in painting, drawing, museum studies, and professional practices in the arts at Virginia Commonwealth University, The University of Tennessee, Knoxville, and Murray State University. He also worked as the Exhibitions Coordinator for The Ewing Gallery and UT Downtown Gallery at The University of Tennessee, Knoxville.
Learn
View an archive of the artist’s work and
learn more about D. Dominick Lombardi
Watch
Watch D. Dominick Lombardi’s artist talk